Beat
Kinetic Pulse
The series originates from photographic sessions during the Los Angeles premiere of The Mythology of Self, a performance by choreographer Laurie Sefton at Loyola Marymount University. Positioned among the dancers on stage, the images were captured on a mobile device and later reconstructed in the studio.
Rather than documenting choreography, the work examines how the body registers time within the image. Blurred forms, repeated gestures, and shifting color planes allow movement to remain visible, as the body appears less as a fixed subject than as something continually forming and dissolving.
Rather than documenting choreography, the work examines how the body registers time within the image. Blurred forms, repeated gestures, and shifting color planes allow movement to remain visible, as the body appears less as a fixed subject than as something continually forming and dissolving.
Beat I, 2021
Archival pigment print, 30 X 40 inches
Archival pigment print, 30 X 40 inches
Beat II, 2021
Archival pigment print, 30 X 40 inches
Beat III, 2021
Archival pigment print, 40X30 inches
Archival pigment print, 40X30 inches
Beat IV, 2021
Archival pigment print, 24 X 30 inches
Archival pigment print, 24 X 30 inches
Beat V, 2021
Archival pigment print. 30 X 40 inches
Archival pigment print. 30 X 40 inches
Beat VI, 2021
Archival pigment print, 40 × 40 inches
Archival pigment print, 40 × 40 inches
Beat VII, 2021
Archival pigment print, 30 × 40 inches
Archival pigment print, 30 × 40 inches
Beat VIII, 2021
Archival pigment print. 30 X 40 inches
Archival pigment print. 30 X 40 inches
Beat IX 2021
Archival pigment print, 30 X 40 inches
Archival pigment print, 30 X 40 inches
Beat X, 2021
Archival pigment print, 30 X 40 inches
Archival pigment print, 30 X 40 inches
Beat XI, 2021
Archival pigment print, 30 X 40 inches
Archival pigment print, 30 X 40 inches